
It was important to Atkins that his songs evoked emotion and created strong ties with the listener’s feelings. The sound he created was lush and warm, the image was polished and glamorous. Chet helped redefine country music across America to “…broaden the appeal, and to keep making records different, to surprise the public.” His approach was influenced by market forces and was a clear commercialization of the genre. He is known as a guitarist and as the mastermind producer and sound engineer behind Jim Reeves. These mics gave a warm tone to the voice, which contributed to the artist’s sound but are no longer used today. The technology at the time was limited and artists used tube microphones to record vocals. This tight knit group of musicians created consistency in the Nashville Sound, so the sub-genre is easily recognized for it’s instrumentation. Under the guidance of Atkins and Bradley, a small group of studio musicians learned the new style and sound and played on almost every country album recorded in Nashville.

Also, songs that were about traditional country elements evoked romanticized images of the Old West, such as cattle, cowboys, and horses, which were respectable. The Nashville Sound kept the theme of heartbreak, without the angsty uncontrolled honky-tonk style of singing.

They introduced the singing style of crooning, which established a more personal audience and singer relationship. Producers brought in heavy string sections and backing vocals to make songs more sophisticated. Many Americans didn’t want to hear about these things, and could escape them with the Nashville Sound. Honky-tonk lyrics were rife with typical working class problems like alcoholism, failed marriages, and adultery. Atkins is credited with creating the sub-genre, and he worked to appeal to the middle class by getting rid of country music’s blue collar roots, or the honky-tonk. Two pioneer producers of the Nashville Sound were Chet Atkins and Owen Bradley. report this ad Rick Sweet served as manager.Ĭlick on column headings to sort.Jim Reeves (center) recording with Chet Atkins (right) Mejía, Alex Jackson, Peter Strzelecki, Luke Barker, Adrian Houser, Rex Brothers, Jandel Gustave, Jason Alexander, Brian Navarreto, Keston Hiura, Abraham Almonte, Tyrone Taylor and Jake Cousins.

Players from the 2022 Nashville Sounds who spent time in Major League Baseball during their careers included Nash Walters, Mike Brosseau, Mark Mathias, Miguel Sánchez, Pedro Severino, Esteury Ruiz, Ethan Small, Dustin Peterson, Pablo Reyes, Corey Ray, Brandon Woodruff, Alec Bettinger, Connor Sadzeck, Angel Perdomo, Justin Topa, Jonathan Davis, Tyler White, Trevor Rosenthal, Trevor Kelley, Omar Narváez, Willy Adames, Jon Singleton, Garrett Mitchell, Marcus Walden, Mario Feliciano, Jakson Reetz, Freddy Peralta, David Dahl, Luis Perdomo, Josh Lindblom, Trevor Gott, J. Caleb Boushley topped the squad with 12 wins and a team-best 3.26 earned run average, leading hurlers with significant time on the mound. Brice Turang led all qualifying hitters on the roster by hitting. Jon Singleton paced Nashville with 24 home runs and drove in 87 runs. The Sounds tallied 809 runs and allowed 641 runs. The Nashville Sounds of the International League ended the 2022 season with a record of 91 wins and 58 losses, in the league's West Division. 7,457 2022 Nashville Sounds Rosterįinals - Durham Bulls 1 game, Nashville Sounds 0 In the IL's West Division Manager: Rick Sweet (91-58)Īttendance: 555,576, Avg.

North Side Bound Roundtable: 2022 Season Opener
